John Seymour was born and trained as a furniture maker in the provincial city of Axminster, in southwestern England, before he immigrated to the United States with his family in 1784. The desk’s design, construction methods, and numerous inscriptions identify its makers as the father and son cabinetmakers John and Thomas Seymour. Contrasting patterns of light-colored satinwood and darker-toned woods like mahogany, rosewood, and purpleheart enliven the surface and lighten the mass of the desk’s geometric volumes. The desk’s simple function allowed a design of slender proportions, achieved by elevating it on long tapered legs. The sliding doors were made from strips of wood backed with canvas. Named for its flexible doors that open horizontally across the top, this tambour desk was intended for letter writing and other light work. See the arrangement and enjoy this year’s virtual Art in Bloom. This work of art inspired an award-winning floral interpretation by Jeana Reisinger in 2015. The painting was a part of the pope’s effort to refurbish the Roman basilica he served before ascending to the papacy. The artist presented this finished sketch to Pope Benedict XIV (1675–1758) for approval before painting the ceiling of the Church of the Holy Cross in Jerusalem, where his work can still be seen today. Michael vanquishes a group of heretics and topples Satan from his throne. In the lowest grouping, the archangel St. The saint presents her own son, the emperor Constantine. Wearing bright blue in the middle, Mary looks up at her son, Jesus, as she beckons to St. At the top, Jesus, the central figure of Christianity, holds a flag and kneels in front of a cross, a symbol of his death.
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